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«Berg und Fluss» 山水 Yang Jing Solo Concerts

Music since the ancient been very much concerned about the relations of Man with Nature. As a naturalized immigrant with a cultural background derived from ancient China, I approached what has become my new home culture by working with different local Swiss musicians, friends, and family members. The majesty of the Swiss Alps and of the quiet and lovely meandering, yet energetic river Aare as God that lives in every human being and is present in our living environment.

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‘Nature is the basis from which we derive our very existence, it is what we breathe until the day we will disappear and merge in it.

I’m very pleased being able to master an instrument, to use the instrument as my voice, to share feeling and thoughts through instruments.

The plucking instruments Pipa and Guqin brought me to a journey, not only in the concert halls worldwide, but also my inner journey. I have a lot of ‘musical words’ need to speak out. I’m longing to share my musical collections through the inner and outer journey with listeners’.

– YANG Jing

«Symphonie auf vier Saiten» 2024 Oct Premiere

”Yang Jing vermag das Publikum zu faszinieren, weil sie mit ihrem sprühenden Innovationswillen die Jahrtausende alte Musiktradition Chinas mit denjenigen des Westens von Kammermusik bis Jazz mitreissend verbindet.” Markus Ganz, Musikjournalist NZZ Schweiz

“音乐会给我留下的最深刻印象是,它自始至终充满了演奏家的创作灵感,每一首乐曲都给人以新鲜的感受……,杨静则以她对传统琵琶演奏艺术的深刻领悟和勇敢的革新精神,大大拓宽了琵琶的演奏张力和表现空间。”
理论家、教育家和作曲家 李西安 北京 音乐生活

Booking
+41 (0)44 500 5186
email Link: management

«klingende Zeit»  – Live Konzert mit Multimedia 
Das Konzert besteht aus 9 Sätzen.
(ohne Pause ca.75 Minuten)

«klingende Zeit»  – Live concert with multimedia
The concerto consists of 9 movements. (without a break about 75 minutes)

And Yang Jing strikes the sparks out of her pipa, first in the orchestra, later on stage, a great and grandiose solo, for which the remaining story suddenly seems to come to a stand still.”
Clemens Prokop in Opernwelt

“The pipa, played with overwhelming virtuosity… Worthy of a festival. Long applause. Bravos.”
Rudolf Jöckle in Frankfurter Neue Presse, Germany

«Tales of Pipa»
– Pipa solo concert with Multimedia
info-link

“Yang Jing’s music combines a deep cultural background and an extreme power of understanding music with a virtuoso technique. Bursting with creativity she celebrates the coming of a new era in music.” (Music Weekly) Beijing, China

Interview SMZ_zupfen Instrument

“… Yang Jing on the pipa is indeed a virtuoso of a Heifetz-like quality … the music was as attractive as it was fascinating in the variety of timbres from this beautiful instru-ment.”
Michael Kennedy in The Sunday Telegraph, UK

‘Die Komponistin YANG Jing zählt zu den bemerkenswer­­testen Musikerinnen der Gegenwart. Sie ist eine heraus­ragende Virtuosin auf der chinesischen Laute Pipa.

Das Konzert bietet Solostücke mit Erläuterungen zu Spiel­technik, Klang, Ästhetik und Instrumentalbau mögliche.”

”Yang Jing solo concert has wide range repertoire: from Ancient Chinese classical and traditional pieces until new compositions and improvisations.

”Miss Yang found her distinctive musical character through studies of the ancient pieces of an ancient culture and the most contemporary music of the world. Rooted in the millennium-old tradition of Chinese music, she builds on a vast amalgam of musical history from the East and West. The consequences of this are sometimes musical poetry, sometimes powerful unheard of sounds’

YANG Jing Solo Concert «山水» Mountains and Rivers

“When the genius and grace combined with each other, creates expressive, timeless music, as the Chinese musician Yang Jing … It was more: Yang Jing played the individual strings of the pipa speaking formally and dance …”

Volksblatt/Rheinzeitung, Eschen, Lichtenstein

“Ich war mir Yang Jings Ruhm bewusst, doch ihre Virtuosität ging über meine Erwartungen hinaus.[…] Ihr differenziertes Spiel machte mich zum Sklaven ihrer gefühlvollen Interpretation.”
Tamiko Ogura in Ongaku No Tomo

“Star des Abends war zweifellos die Chinesin Yang Jing auf dem Instrument aller Instrumente in China, dem Zupfinstrument Pipa, das vor mehr als tausend Jahren auch nach Japan eingeführt wurde. Den Musiken brandete nach dem Konzert minutenlanger Beifall entgegen.” mehr…
Jürgen Jost, Die Welt, Berlin, Deutschland

“Yang Jing durchbrach mit ihrem souveränen Spiel auf der Pipa den Alltag höchst eindrucksvoll.” mehr… Silvia Thurner, KULTUR – Zeitschrift für Kultur und Gesellschaft, Dornbirn